Marilyn, August 1953: The Lost LOOK Photos
Photographs by John Vachon, Text by Brian Wallis*
Photographs by John Vachon, Text by Brian Wallis*
Picture this: A master photographer shoots the most breathtaking movie star of her time high in the Canadian Rockies in the summer of 1953. And the negatives are filed away for nearly sixty years—never to be seen until now!
When John Vachon arrived in Banff, Alberta, in mid-August of 1953 to shoot Marilyn Monroe on location making River of No Return, he encountered an opportunity never afforded the many great photographers who took pictures of Marilyn during her short life. Due to an injured ankle that prevented her from filming, Vachon got access to Marilyn over a period of several days. Vachon's lens captured her in a variety of contexts and countenances.
Here is Marilyn the way we want to remember her: luminous, sexually charismatic, smiling radiantly — even on crutches. This extraordinary portfolio of revealing images ranges from her mugging poolside to riding high on a ski lift to nuzzling with her then-husband-to-be, the legendary Joe DiMaggio — the only time that the two posed formally together for a photographer. In his ability to present her humanity without either idealization or guile, Vachon has given the legions of Marilyn fans worldwide a very rarely seen portrait of their idol.
The making of Marilyn: August 1953 is as remarkable as the book itself. After LOOK magazine folded in the early 1970s, its founders donated their immense photo archive to the Library of Congress. John Vachon's negatives of Marilyn were included. Only three of Vachon's Marilyn photos were used in the October 20, 1953, article about location shooting in Canada. The rest have remained unpublished until now.
Brian Wallis, Chief Curator and Director of Exhibitions at the International Center of Photography in New York, has supplied a fascinating text that explores Vachon's unique approach to shooting Marilyn.
Many of the original negatives of Vachon's photographs were damaged, so each of the 100 black-and-white images in the book was digitally restored. Imperfections were removed and tones were carefully calibrated. Plus, the photos were printed as duotones to add richness.
Many of the original negatives of Vachon's photographs were damaged, so each of the 100 black-and-white images in the book was digitally restored. Imperfections were removed and tones were carefully calibrated. Plus, the photos were printed as duotones to add richness.
A Calla Editions™ Original.
Order this book at www.doverpublications.com
*This blog post text is reprinted from Dover Publications catalog copy.
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